By Anthony F. D'Elia
In 1468, at the ultimate evening of Carnival in Rome, Pope Paul II sat enthroned above the boisterous crowd, whilst a scuffle stuck his eye. His guards had intercepted a mysterious stranger attempting urgently to exhibit a warning―conspirators have been mendacity in wait to slay the pontiff. Twenty humanist intellectuals have been fast arrested, tortured at the rack, and imprisoned in separate cells within the damp dungeon of Castel Sant’Angelo.
Anthony D’Elia deals a compelling, dazzling tale that finds a Renaissance global that witnessed the rebirth of curiosity within the classics, a thriving homoerotic tradition, the conflict of Christian and pagan values, the competition among republicanism and a papal monarchy, and tensions setting apart Christian Europeans and Muslim Turks. utilizing newly chanced on assets, he exhibits why the pope unique the humanists, who have been noticeable as dangerously pagan of their Epicurean morals and their Platonic ideals concerning the soul and insurrectionist of their aid of a extra democratic Church. Their fascination with Sultan Mehmed II attached them to the Ottoman Turks, enemies of Christendom, and the affection of the classical international tied them to fresh rebellious makes an attempt to switch papal rule with a republic reminiscent of the fantastic days of Roman antiquity.
From the cosmetic-wearing, parrot-loving pontiff to the Turkish sultan, savage in warfare yet captivated with Italian tradition, D’Elia brings to existence a Renaissance global jam-packed with pageantry, mayhem, and conspiracy and gives a clean interpretation of humanism as a dynamic communal movement.
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Extra resources for A Sudden Terror: The Plot to Murder the Pope in Renaissance Rome
Pandone dei Pandoni was an unlikely republican rebel. ”5 His long career consisted of an endless series of largely unsuccessful attempts to win patronage for his decidedly mediocre verse. If Renaissance humanists have a reputation for being insincere sycophants who changed opinions as often as they changed benefactors, for whom they produced cloyingly laudatory poems, it was because of humanists like Porcellio. He was one of the new scholar-poets who were trying to make a living from their erudition and their skill at composing classical Latin verse.
Wanting to deal once and for all with the Anguillara problem, in June 1465 Paul sent a small army to crush the brothers. Two cardinals led the papal forces, joined by Federico da Montefeltro’s mercenaries. Within two weeks the war was over. 26 Cardinal AmmannatiPiccolomini compared Paul’s victory over the counts of Anguillara to Hercules’ strangling of the ﬁre-breathing monster Cacus: “Our age praises Paul as liberator. ] Palazzo Venezia, Rome. © Alinari / Art Resource, New York. Paul built one of the largest and most sumptuous palaces in Rome in 1455.
9 The rest of the poem describes how the Romans and the Senate interpreted this prodigy. A few say that the people will be yoked to the carriage of some tyrant; others say that the violent times of Marius and Sulla will return. Finally, an old man asserts that the bull’s semen mixed with blood on the column portends not war but peace. The city will never be subject to tyrants, he declares, for the pope has returned. The people accept this interpretation. In the coming days, voracious wolves are heard howling in the city, violent men deﬁle temples, and holy images exude sweat; these and other portents all point to the justice and peace brought by the saving column.