By Anthony Burgess
ABBA ABBA delves right into a literary secret with the entire originality, mind's eye, and take pleasure in that readers have prized within the writer of A Clockwork Orange, 1985, and Nothing just like the Sun.
In this novel, Anthony Burgess conjectures the potential assembly in Rome in 1820 or 1821 of 2 ideal masters of the sonnet shape. One is John Keats, who's loss of life in a home at the Spanish Steps. the opposite is Giuseppe Gioacchino Belli-an super proficient poet little identified outdoor Rome, simply because he writes unsentimental, frequently blasphemous poems within the tough dialect of the town streets. within the first a part of the booklet, Burgess units out a sensational literary hypothesis: If Belli had identified Keats, may the latter have stimulated him? If Keats had recognized Belli, could Keats have followed anything of the Italian's earthy variety into his personal verse? the second one half deals a canny collection of Belli's occasionally surprising poetry, translated into English with the entire chew and verbal aptitude of the originals by way of one "J. J. Wilson"-who, through a stroke of fine fortune, appears to be like to have the singular presents of the novel's writer himself.
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Extra info for ABBA ABBA
Some went: I did some playing but my left hand would hardly function. The old boy9 asked for Chopin & I played the Aj, Prelude. It's always been a theory of mine that the clock really strikes twelve in that piece but one beat is missed because the sound waves go in the wrong direction. [5! " I'm thinking of putting that beside a line from Dumbo: "I suppose you and no elephant ain't up in no tree," and asking my kids which is worse English. The answer is that one has to be translated into English before it makes sense and the other doesn't.
It worked well for a while, but it stereotyped me, & she gradually realized the physical male object before her & declared her love for it. As that is only deadlock, and I had no further animus resources, the dance is over, & we're standing around, both facing the orchestra & not each other, patting our hands nervously to signify our approval of what has been done. 25 Part of the error comes in my very animus nature: I respond by idealizing the woman into an anima. I have thought of both Elizabeth & Margaret as wonderfully subtle and accurate creatures, & of their instincts as invested with a superior insight, which I could educate myself by following.
They knew me well & a friend of mine deserted me at their approach, whispering that it would be good for me. However, I was busy trying to talk myself out of the situation when I woke. The purpose of the hazing was the slighting remarks I was alleged to have made about engineering, which I was busily denying. May be some reference to a phenomenon Jung doesn't mention: an introvert trying to project before him his own extroverted self, or vice versa. This is the theme of Sitwell's Man Who Lost Himself, which I read in my Freshman days & is an extrovert > introvert pattern.